What's On at UWA

This year the Update tackles the important question of belonging, with the theme ‘Belonging in Western Australia: Addressing Migrant and Refugee Inclusion’. Each year around 200,000 people move permanently to Australia, and many more come temporarily for work or education – how are we, as a community, meeting their needs and ensuring they feel they ‘belong’ in Australia? Our program brings together policy makers, not-for-profits, communities and academics to explore questions such as: What does belonging look like? What are migrants’ and ethnic minorities’ experiences of inclusion and exclusion? How can services support belonging? To what extent is Australia’s migration system inclusive? How can we create inclusive spaces for migrants? What are the roles of schools, local councils, the media, and service organisations in generating belonging? Keynote Prof Paolo Boccagni (University of Trento), will speak on “Migrant Home-making: Insights from Europe”, and a range of representatives from community, government and academia will discuss experiences of belonging and unbelonging, and programs designed to promote inclusion, including arts, sports, media, local government and education based interventions.

The Romantic choral repertoire did not always use massed forces. Join Con-Cantorum as they perform 19th-century mini masterpieces by well-loved and lesser known composers.

Tickets from $10

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Be transported from the everyday by our free lunchtime concert series, featuring the best musical talent from with the UWA Conservatorium of Music and around the country.

This week we shine a spotlight on The Winthrop Singers led by Nicholas Bannan to present a stunning program of choral works.

Free entry, no bookings required.

A free weekly seminar series, with presenters from within UWA and from the wider community.

Honours student Hannah Tungate presents her research on the legendary 1600s singer and composer, Barbara Strozzi, and her cantata 'Sino alla morte'.

Further information at music.uwa.edu.au

Brief talks on the climate emergency and what you can do about it. Hear from climate scientists, Extinction Rebellion and others.

In this exhilarating concert we present a selection of 20th and 21st century orchestral showpieces that challenge perceptions and inspire performers and audience alike.

KATY ABBOTT Introduced Species

JAMES LEDGER Golden Years: Concerto for Violin and Orchestra with soloist Shaun Lee-Chen

BRITTEN Four Sea Interludes from Peter Grimes

Tickets from $18

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Be transported from the everyday by our free lunchtime concert series, featuring the best musical talent from with the UWA Conservatorium of Music and around the country.

This week, the Conservatorium's composition students are in the spotlight, showcasing what they've been working on throughout the year.

Free entry, no bookings required.

The 4-hour Mental Health First Aid for Non-Suicidal Self-Injury course is for any interested adult who is interested to learn how to assist a person who is engaging in self-injury.

This course is based on guidelines developed through the expert consensus of people with lived experience of mental health problems and professionals.

This hands-on workshop introduces tools and tips for identifying relevant, quality journals and evaluating book publishers. We will also touch on meeting Open Access mandates from grant bodies, avoiding predatory publishers and publishing a thesis. Topics covered: Identifying and assessing journals Choosing a book publisher Open access publishing The UWA Profiles and Research Repository Predatory publishers Publishing your thesis as a book or a series of papers.

A free weekly seminar series, with presenters from within UWA and from the wider community.

Get a taste of the variety of research happening in the Conservatorium of Music in this semester's three-minute thesis competition! Honours and HDR researchers showcase their research projects in concise presentations targeted towards a general audience.

Further information at music.uwa.edu.au

Peter Tanfield and Shan Deng from the University of Tasmania Conservatorium of Music perform much loved repertoire for Violin and Piano in the beautiful acoustic of Callaway Music Auditorium

Claude Debussy Sonata for Violin and Piano

Edvard Grieg Sonata for Violin and Piano in C minor Op. 35

Maurice Ravel Jeux d’eau for Piano Solo

Eugene Ysaye Sonata for Violin Solo “Ballade” Op. 27/3

Astor Piazzolla Three Tangos for Violin and Piano

Maurice Ravel Tzigane – Concert Rhapsody for Violin and Piano

Tickets $10 Concessions | $20 Standard

Contact details: [email protected]

$5.00 donation for non members

In his celebrated Rougon-Macquart series of twenty novels, Émile Zola sought to present a ‘natural and social history of a family’ during the years of the Second Empire in France, 1852-1870. This was a family filled with ‘ravenous appetites’ who diffused in to all strata of French society, from the world of labour, in works like L’Assommoir and Germinal, to the upper echelons of French society in novels such as Money and The Kill. This classic sequence has not been published in its entirety in English since the late nineteenth century, but a project by Oxford World’s Classics to produce new translations of the whole series in now nearing completion.

This talk by Paul Gibbard, who has recently published his translation of The Dream (the sixteenth novel in the series), will present an overview of Zola’s career as a novelist and explain how the Frenchman’s aims and ideas evolved over forty years. It will look at some of the problems faced by early English-language translators of Zola’s novels (and their perceived obscenity) before moving on to some of the questions modern translators must address – and the particular issues involved in translating The Dream.

Dr Paul Gibbard is Senior Lecturer in French Studies at the University of Western Australia. His research interests lie in eighteenth- and nineteenth-century French fiction and intellectual history. He has worked previously as an editor of the Complete Works of Voltaire at the Voltaire Foundation in Oxford and his publications include critical editions of Voltaire’s Questions on the Encyclopedia (2008) and Letters on the New Héloïse (2013), an edited collection of essays, Political Ideas of Enlightenment Women (2013), and a translation of Émile Zola’s novel The Dream (2018). He is currently working on a translation of the journal of the botanist Théodore Leschenault who travelled to Australia with the Baudin expedition of 1800-1804.

Special Collections – special viewing for members

Special Collections 2nd Floor Reid Library will be open on Tuesday 10th September 6.30pm – 7.15pm for members to view a selection of French materials from the collection before the start of the talk by Paul Gibbard.

Future Events

October 8th is a special event, the presentation of the Clérambault 1710 edition from David Tunley to the Special Collections, with a performance of the work by the Conservatorium of Music Irwin Street Collective. The venue will be the Eileen Joyce Studio Conservatorium of Music. Our final speaker for the year is Jill Benn, University Librarian and her presentation is “Library Place for Learning Space: Reflections in the Changing Nature of the Academic Library. Drinks and nibbles will be provided by the Friends of the Library after the 12th November talk

RSVP: Kathryn Maingard – [email protected] or 08 6488 2356 https://www.eventbrite.com.au/e/translating-a-classic-french-novel-by-emile-zolas-the-dream-tickets-69820688559

Musica Viva Masterclasses offer the opportunity to see international artists working with talented music students, learning techniques to perfect their craft in an open lesson format.

Musica Viva presents the Emerson Quartet's Masterclass with violist Lawrence Dutton.

Bookings via the Musica Viva website, https://musicaviva.com.au/masterclass-emerson/

Following 2018's hugely successful performance at the Perth International Classical Guitar Festival, talented high school players in UWA's Accelerate program join forces with emerging artists from the UWA Guitar Studio in a program that is not to be missed.

Tickets from $10

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Be transported from the everyday by our free lunchtime concert series, featuring the best musical talent from with the UWA Conservatorium of Music and around the country.

In a lunchtime concert sure to delight, this week our students take the stage to perform works for wind and piano by Luciano Berio, Francis Poulenc, Frank Martin, and James Ra.

Free entry, no bookings required.

Vandoren Paris and the UWA Conservatorium of Music offer you the opportunity to attend a masterclass with saxophonist Martin Trillaud.

Martin Trillaud obtained his Master degree in performance in 2014 in the class of Claude Delangle and is continuing his studies with David Walter at the Conservatoire National Superieur de Musique de Paris with the Yendo Quartet. He has won several first prizes at international competitions in France and abroad, and performs regularly with several orchestras such as the Orchestre des Lauréats du Conservatoire, la Musique principale de l'Armée de l'air and l’Ensemble Orchestral des Jeunes de Paris. Passionate about his instrument, he has worked with composers of his generation, notably at IRCAM, and also performs a repertoire of transcriptions from solo to orchestral works through to chamber music.

Please join Martin and representatives from Vandoren from 4.30pm - 6pm in the Tunley Lecture Theatre to try out the new PROFILE mouthpieces from Vandoren before the Masterclass begins at 6pm.

A free weekly seminar series, with presenters from within UWA and from the wider community.

Further information at music.uwa.edu.au

Join Concordia Vocalis - the UWA Conservatorium's premier vocal ensemble - as they perform masterpieces from the Renaissance madrigal repertoire.

Tickets from $10

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Be transported from the everyday by our free lunchtime concert series, featuring the best musical talent from within the UWA Conservatorium of Music and around the country.

Join us this week for an exciting concert featuring our talented brass students. The program will include solo works by Messiaen, Wilder, Schumann and Mozart, before the UWA Brass Ensemble perform 'Elsa’s Procession to the Cathedral from Lohengrin' by Wagner and 'Little Suite for Brass No. 1 for Brass Band' by Malcolm Arnold.

Free entry, no bookings required.

A free weekly seminar series, with presenters from within UWA and from the wider community.

This week HDR students Megan Barbetti and Adam Lewin will present on their current research.

Megan Barbetti: Reviving the Ghost: A Method for Baroque Improvisation Modelled Through Telemann’s Twelve Fantasias for Flute without Bass (1727–28)

Adam Lewin: Bridging the Gap: The Performative Influence of the Artist, the Space and the Audience in Amanda Palmer’s Who Killed Amanda Palmer Tour

Free entry - no bookings required