What's On at UWA

Be transported from the everyday by our free lunchtime concert series, featuring the best musical talent from within the UWA Conservatorium of Music and around the country.

This week, the UWA Guitar Studio will present a free concert of solo and chamber repertoire, featuring some very special works including Bill Kannengieser’s rarely performed “Gongan” for prepared guitar quartet, and Leo Brouwer’s epic Concerto Elegiaco.

From the lute works of Bach to the hypnotic minimalist compositions of Steve Reich, there’s something for everyone on this exciting program.

Free entry, no bookings required.

Chair of Electronic Music and Sound Design, Chris Tonkin leads a day of workshops and production masterclasses in electronic music for students in Years 10–12. Participants will be fully engaged with beatmaking, song-writing and mixing using Ableton Live and the Ableton Push 2.

Fee - $25

Musica Viva and the UWA Conservatorium of Music offer you the opportunity to attend a Masterclass with piano duo ZOFO (Eva-Maria Zimmermann and Keisuke Nakagoshi).

You are invited to observe the duo working with talented UWA music students, learning techniques to perfect their craft in an ‘open lesson’ format.

ZOFO:

Playing one piano with four hands – but a unified artistic mind – is about the most intimate form of chamber music there is. Eva-Maria Zimmermann and Keisuke Nakagoshi are ZOFO; a ‘20-Finger Orchestra’ who for a decade now, have electrified audiences with their dazzling artistry and outside-the-box thematic programming for piano-four-hands.

Tickets - $5 Students, $20 Standard

Contact details: [email protected]

Don't miss ZOFO performing at the Perth Concert Hall on 21 May. Further details at https://musicaviva.com.au/zofo/.

The Musica Viva Masterclass program is supported in Western Australia by Wesfarmers Arts.

You have successfully sat maths exams before but it's nice to know how they work at UWA. This session provides some study suggestions for the lead up to exams and explains how maths study differs from other areas. Specific tips are provided for common Level 1 MATH and STAT units before we discuss how to get the best out of yourself on exam day. Recommended for anyone sitting maths and/or stats exams (especially if it’s your first one at UWA).

Please note: this workshop is open only to current UWA students. Registration is free, required and available through eventbrite.

Check out www.studysmarter.uwa.edu.au for other academic skills services, workshops and resources for UWA students.

This session will provide an overview of the lifecycle of copyright in a thesis to ensure you understand your copyright obligations and can confidently use copyright material in your thesis.

The vision of the UWA Conservatorium of Music is to enrich all lives with music. Through UWA’s broadening units, all undergraduate students have the opportunity to engage in practical music-making as part of their degree.

Enrich! brings together these students in vibrant and dynamic ensemble performances.

Come and hear the wealth of musical talent on campus.

In the World Percussion Carnival, renowned Perth percussionists Paul Tanner and Steve Richter will lead over 100 students in a lively performance of traditional Zimbabwean, Zulu and West African music, alongside new sounds of AfroJunk and traditional Samba Batucada.

Tickets: $5 (available at the door)

In collaboration with WASO, we are delighted to welcome passionate music educationalist Paul Rissmann to present the 2019 Callaway Lecture, one of the most prestigious events in the calendar of the Conservatorium of Music.

‘The Jamie Oliver of animateurs’ Neue Muzikzeitung

‘Rissmann is without parallel. He has a line of communication that exactly matches, then advances the listening skills of his audience’ The Herald

Challenging Classical Conventions: exploring new opportunities to engage with the orchestra in the 21st century

The orchestra is changing. For centuries, its role and reach were more or less static. Today, thanks to the development of creative and inclusive educational programmes, the orchestra and its musicians are more assessable and more relevant to society than ever before. This talk will explore how composer and educationalist Paul Rissmann’s work has helped expand the range of activities the modern symphony orchestra has to offer, both on and off the concert platform.

Free entry - bookings essential RSVP to [email protected]

Lecture: 7pm

Refreshments served from 6.30pm

You have successfully sat maths exams before but it's nice to know how they work at UWA. This session provides some study suggestions for the lead up to exams and explains how maths study differs from other areas. Specific tips are provided for common Level 1 MATH and STAT units before we discuss how to get the best out of yourself on exam day. Recommended for anyone sitting maths and/or stats exams (especially if it’s your first one at UWA).

Please note: this workshop is open only to current UWA students. Registration is free, required and available through eventbrite.

Check out www.studysmarter.uwa.edu.au for other academic skills services, workshops and resources for UWA students.

Do you remember the sound of dial-up internet? What about the whistle of an old kettle or a wine cork popping? Sounds, noise and music are fundamental to our lives.

Join us to explore our sonic past and present and learn how our lives are shaped by sound and listening. Presented in collaboration with the City of Perth Library.

Sound in the form of language and music make us human. But what is the archaeological evidence for sound? In this talk we will take a global look at sound, music, language, art and human evolution, before focusing on the San or 'Bushman' of southern Africa.

Sven Ouzman is an archaeologist, lecturer and activist at UWA’s School of Social Sciences. Dr Ouzman researches the forgotten worlds beneath and all around us, and is currently exploring areas such as Indigenous rock art in the North Kimberley and the South African colonial circuits of knowledge and heritage. He is a member of the Centre for Rock Art Research and Management at the University of Western Australia.

Free entry - bookings essential

The passion for music and the exceptional ability of young emerging artists creates an extraordinary experience for concertgoers. In 2019, some of Australia’s finest young musicians will take to the stage in four outstanding orchestral and choral concerts, taking you on a musical journey from the 1700s to the present day.

Offering a glimpse of the Baroque era, Elena Kats-Chernin’s expansive and opulent Prelude and Cube is reimagined in this concert where old and new walk side by side. Program

BACH Fantasia and Fugue in C minor (arr. Hunsberger)

ELENA KATS-CHERNIN Prelude and Cube (arr. De Cinque)

ELENA KATS-CHERNIN Dance of the Paper Umbrellas

HAYDN Missa in Angustiis (Nelson Mass)

Tickets from $18

trybooking.com/BASWJ

The vision of the UWA Conservatorium of Music is to enrich all lives with music. Through UWA’s broadening units, all undergraduate students have the opportunity to engage in practical music-making as part of their degree.

Enrich! brings together these students in vibrant and dynamic ensemble performances.

Come and hear the wealth of musical talent on campus.

Join our massed ukulele ensemble as they perform classic songs you know and love! The Broadening Showcase will also feature our handbell ensembles and the UWA Broadening Flute Choir in a fun concert that is sure to delight!

Tickets: $5 (available at the door)

Be transported from the everyday by our free lunchtime concert series, featuring the best musical talent from within the UWA Conservatorium of Music and around the country.

Ennio Morricone, (b.1928) is an Italian composer, who is most well-known for his film work, and in particular the genre known as ‘spaghetti western’. Working with director Sergio Leone, he scored The Good the Bad and the Ugly, A Fistful of Dollars and For a Few Dollars More. He also wrote the music for Once Upon a time in America The Mission and The Hateful Eight.

The music from the spaghetti western period (the 1960s) demonstrates Morricone’s quirky orchestrations. Budget restrictions meant limited access to a full orchestra. Morricone turned to unconventional instruments (jew’s harp, whistling, electric guitar and cracking whips) to create strange sonic landscapes.

The Morricone Project gives our composition students the opportunity to re-imagine these works for a new ensemble and to collaborate with the musicians in the ensemble. The re-imaginations can included setting Morricone’s music against their own, changing the instrumentation, and/or focusing on one particular motive and exploring its possibilities.

The composers are:

Victor Arul – For a Few Dollars More

Oliver Broun – The Mission

Remal Festini – The Good, The Bad and The Ugly

Lydia Gardiner – The Man with the Harmonica

Free entry, no bookings required.

The vision of the UWA Conservatorium of Music is to enrich all lives with music. Through UWA’s broadening units, all undergraduate students have the opportunity to engage in practical music-making as part of their degree.

Enrich! brings together these students in vibrant and dynamic ensemble performances.

Come and hear the wealth of musical talent on campus.

Under the direction of Tim How, the Show Choir, will be perform songs from Broadway hit Wicked. Whilst the UWA Jazz Ensemble and Advanced Jazz Group, led by Jess Herbert will perform staples of the Jazz repertoire. This fantastic concert is not to be missed!

Tickets: $5 (available at the door)

Artists in residence Intercurrent present contemporary chamber music for piano, percussion, bass clarinet and electronics including Thomas Meadowcroft's Walkman Antiquarian, John Cage's Credo in US, a new work by Perth composer Olivia Davies and more.

Walkman Antiquarian challenges our concept of obsolescence, exploring creative possibilities in the intersection of new and old. Thomas Meadowcroft’s centrepiece work (of the same name) employs much-loved but increasingly historical technologies of sound playback the turntable and the walkman, while John Cage’s Credo in US prominently features the humble transistor radio. Against these are set a modern-day interpretation of 12th Century polyphonist Perotin’s Beata Viscera by Lachlan Skipworth, and a brand new work by West Australian composer Olivia Davies. Intercurrent’s renowned and fiery virtuosity promise a unique and stimulating musical adventure.

Tickets from $10

trybooking.com/BAVKM

Each year The UWA Institute of Agriculture hosts a postgraduate showcase where some of UWA's top PhD students present their research in agriculture and related areas. Join us for an afternoon of fantastic talks from seven PhD students in the UWA School of Agriculture and Environment, the UWA School of Molecular Sciences, and the UWA Law School, with an introduction by Prof Imelda Whelehan, Dean, Graduate Research School. Afternoon tea and refreshments provided.

Join us for the annual Keyed Up! Day of Piano where you can learn tips and tricks of piano performance from some of Perth’s most experienced teachers and examiners. Why not ensure that every performance you give is one that you are proud of, whether that be for your University or School assessment, WACE practical or AMEB or other grade exams!

Led by UWA Head of Keyboard and Performance Studies, Graeme Gilling and supported by Perth’s finest pianists, teachers and performance specialists and ideally timed for those students undertaking ATAR Music and AMEB or other grade exams the Keyed Up! Day of Piano is an event not to be missed!

Register to perform and receive feedback from one of our expert panel in an informal workshop setting or just come along and observe students at your own level.

You’ll also have the opportunity to:

Hear performances by UWA Conservatorium of Music students

Explore the Conservatorium’s Historical Instrument collection with a guided session led by Dr Cecilia Sun The skills that you learn at the Keyed Up! Day of Piano will give you the confidence to excel in all your performance endeavours!

$10 Participants - $5 Parents accompanying students/Observers

Are you storing your research data securely? Is it backed up regularly? Do you know what the minimum retention period is for the ongoing storage of your research data after your project is finished? This short 30 minute seminar will provide details of data storage options recommended by UWA, the key considerations you need to take into account in regards to the storage of your data and where you can go for more information.

Over the last few decades there have been spectacular advances in the treatment of hepatoblastoma, the most common malignant liver tumour of childhood, and now most Australian children who develop this disease will be cured. Unfortunately cure often comes at a price, and many children develop severe hearing loss as an adverse effect of one of the drugs used in their treatment. This lecture tells the story of the history of treatment of hepatoblastoma, and recent successes in preventing hearing loss in affected children.

Derek Roebuck recently moved to Perth to take up the position of Professor of Paediatric Radiology at UWA and the Perth Children's Hospital. He previously spent 19 years in England where he worked as a consultant paediatric interventional radiologist and more recently Head of Clinical Service (Radiology) at Great Ormond Street Hospital for Children in London.

Members: Free, Guests: $5 donation

The nineteenth-century French writer Stendhal famously observed that “politics in a literary work is like a gun shot in the middle of a concert: it’s something vulgar and coarse, which is also impossible to ignore.” Stendhal’s analogy posits the traditional model of literature as the realm of the aesthetic, expressive of beauty and universal moral truths, and which is regarded as superior to the grubby realm of “politics” – loosely defined here as pertaining to issues of power and human rights. This model naively presupposes the existence of non-political literature – as if it’s possible for any writing to exist in an ideology-free zone. Nevertheless, Stendhal’s comment also rightly highlights the challenge for a creative writer intent on exploring overtly political issues: how to avoid being “vulgar and coarse”; that is, ideologically dogmatic or morally self-righteous; how not to insult the intelligence of the reader, regardless of their political beliefs. This presentation will consider the creative strategies used in my political novel The Art of Persuasion in order avoid those pitfalls: the use of the romance genre to explore love as moral concept in our hyper-sexualised culture; and the use of wit or intelligent humour to raise questions about the crucial political issues of asylum seekers and climate change. I pay particular attention to my novel’s allusions to the fiction of Jane Austen, and its adherence to the Horatian dictum that writing should both delight and instruct. My novel The Art of Persuasion aims to give readers aesthetic delight – the pleasures of language and story – in order to encourage reflection on the issues that matter to me as a writer and a member of civil society.

Dr Susan Midalia has studied at Cambridge University and the University of Western Australia, where she completed a PhD in contemporary Australian women’s fiction. She has published in national and international literary journals, and taught in secondary and tertiary institutions for many years. Since becoming a full-time writer in 2006, she has published three collections of short stories, all of them shortlisted for major national literary awards: A History of the Beanbag (2007), An Unknown Sky (2012), and Feet to the Stars (2015). Her debut novel The Art of Persuasion was published in 2018, and her second novel has recently been accepted for publication.

Special Collections

The current display in the Special Collections foyer of donations by the Friends of the Library features maps showing the Dutch interest in the Indian Ocean region. These maps include copies of Polus Antarcticus by Jansson 1650, Frederick de Wit’s Orientaliora Indiarum Orientalium 1680, Mare del Sud 1765 by Zatta and Abraham Ortelius’ 1574 Indiae orientalis insvlarvmqve adiacientivm typvs.

The Friends of the Library have recently donated a facsimile copy of the Barcelona Haggadah to Special Collections. The illuminated Hebrew manuscript dates from the fourteenth century and contains the Haggadah, Laws for Passover, piyyutim and Torah readings for the festival of Passover according to the Spanish rite. The purchase of the facsimile was supported by Assoc/Prof Suzanne Wijsman (Chair of Strings Conservatorium of Music) for her research as the manuscript contains illustrations of musical instruments. Special Collections will next be open on Tuesday 11th June from 6.30pm – 7.15pm for members to view the Barcelona Haggadah.

RSVP: Kathryn Maingard – [email protected] or 08 6488 2356 https://www.eventbrite.com.au/e/politics-and-the-novel-tickets-62182092312

Learn how to assist adolescents or young people who are developing a mental illness, experiencing a worsening of an existing mental health problem or in a mental health crisis, until appropriate professional help is received or the crisis resolves.

The 14-hour Youth Mental Health First Aid Course is for adults who work, live or care for adolescents, such as school staff, parents, sports coaches, community group leaders and youth workers.

This course is based on guidelines developed through the expert consensus of people with lived experience of mental health problems and professionals.

Developing mental health problems covered are:

- Depression - Anxiety problems - Psychosis - Substance use problems - Eating disorders

Mental health crisis situations covered are:

- Suicidal thoughts and behaviours - Non-suicidal self-injury (sometimes called deliberate self-harm) - Panic attacks - Traumatic events - Severe effects of drug or alcohol use - Severe psychotic states - Aggressive behaviours