What's On at UWA

The lively public discourse on academic cheating in Indonesia is focused on the National Examination, which is a standardized test organised for Year-9 and Year-12 students. However, since the focus is too narrow, other behaviours that may actually have developed into a pervasive cheating problem have been overlooked. In 2015 the Indonesian government introduced a new twist to the problem by stating that cheating in the National Exam could be one of the causes of the country’s corruption problem. This thesis looks at patterns of actions and beliefs regarding academic cheating shared by students, teachers, and parents in two senior secondary schools in Indonesia. The findings of this study show that cheating in schools in Indonesia is indeed beyond the scope of the National Exam. The pervasiveness of the problem can be partly explained by looking at the dynamics of the social relationships of the students. As for government’s claim on the cause-and-effect relationship between academic cheating and corruption, opportunism and individual collectivism identified in both schools could become the enabling elements.

Be transported from the everyday by our free lunchtime concert series, featuring the best musical talent from within the UWA Conservatorium of Music and around the country.

This week, the UWA Guitar Studio will present a free concert of solo and chamber repertoire, featuring some very special works including Bill Kannengieser’s rarely performed “Gongan” for prepared guitar quartet, and Leo Brouwer’s epic Concerto Elegiaco.

From the lute works of Bach to the hypnotic minimalist compositions of Steve Reich, there’s something for everyone on this exciting program.

Free entry, no bookings required.

Transnational Students, Gentrification and Urban Subjectivities: An ethnography of transnational Chinese student residents in Perth, Western Australia.

This paper explores urbanisation processes of gentrification as they intersect with Australia’s international education industry. These concurrent conditions have led to an increase in what I argue to be transnational studentification in Australia’s urban centres. Little research, however has been undertaken to understand the impacts of these patterns of urban transformation on the students themselves. This project examines a case study of transnational middle-class Chinese students living in the City of Perth precinct. Adopting de Certeau’s theory of tactics and Bourdieu’s notion of habitus as analytical frameworks, and employing a walking interview methodology, this project interprets the students’ experiences and perceptions of space and place. I aim to understand and interpret new regimes of subjectivity that emerge through these patterns of socio-spatial transformation in Australia. I outline positions of translocality, temporality, and contested space which govern these students’ interpretation and construction of the city, and of their modes of subjectivity. Ruth is an Honours’ student in Anthropology and Sociology.

Australian Rules football and Aboriginal well-being in Perth, Western Australia.

Sport, and more specifically in this case, Australia’s ‘native’ game of Australian Rules football, has provided important points of reference around which racial and cultural relations in Australia take place. Australian Rules football brings to the fore, and allows us to investigate, the already established boundaries of moral and political communities, whilst allowing for the physical and social expression of those values and a means of reflecting on them. This seminar aims to shine light on the significance of Australian Rules football in the lives of Aboriginal footballers. The seminar will address some of the inequalities experienced by Aboriginal footballers, and explore the potential for the game to contribute to Aboriginal health and well-being. Furthermore, it is hoped that this research will create a greater understanding of Aboriginal identity, well-being and life ways in the unique social context of Australian Rules football. Leighton is a PhD student in Anthropology and Sociology.

Each year on IDaHOBIT (International Day Against Homophobia, Biphobia, lntersexism and Transphobia), UWA and the Equal Opportunity Commission co-host the Isabelle Lake Memorial Lecture in memory of Isabelle Lake, a UWA student and trans activist who passed away in 2012 following a battle with leukaemia. The lecture aims to raise public awareness about gender matters. Joleen Mataele, the main protagonist in the film Leitis in Waiting, will speak at the 2019 Isabelle Lake Memorial Lecture here at UWA. The movie will also be screened, so it promises to be a great night. Refreshments will be served. Please see the attached flyer for more details or register via the Trybooking event page.

Chair of Electronic Music and Sound Design, Chris Tonkin leads a day of workshops and production masterclasses in electronic music for students in Years 10–12. Participants will be fully engaged with beatmaking, song-writing and mixing using Ableton Live and the Ableton Push 2.

Fee - $25

Musica Viva and the UWA Conservatorium of Music offer you the opportunity to attend a Masterclass with piano duo ZOFO (Eva-Maria Zimmermann and Keisuke Nakagoshi).

You are invited to observe the duo working with talented UWA music students, learning techniques to perfect their craft in an ‘open lesson’ format.

ZOFO:

Playing one piano with four hands – but a unified artistic mind – is about the most intimate form of chamber music there is. Eva-Maria Zimmermann and Keisuke Nakagoshi are ZOFO; a ‘20-Finger Orchestra’ who for a decade now, have electrified audiences with their dazzling artistry and outside-the-box thematic programming for piano-four-hands.

Tickets - $5 Students, $20 Standard

Contact details: [email protected]

Don't miss ZOFO performing at the Perth Concert Hall on 21 May. Further details at https://musicaviva.com.au/zofo/.

The Musica Viva Masterclass program is supported in Western Australia by Wesfarmers Arts.

The vision of the UWA Conservatorium of Music is to enrich all lives with music. Through UWA’s broadening units, all undergraduate students have the opportunity to engage in practical music-making as part of their degree.

Enrich! brings together these students in vibrant and dynamic ensemble performances.

Come and hear the wealth of musical talent on campus.

In the World Percussion Carnival, renowned Perth percussionists Paul Tanner and Steve Richter will lead over 100 students in a lively performance of traditional Zimbabwean, Zulu and West African music, alongside new sounds of AfroJunk and traditional Samba Batucada.

Tickets: $5 (available at the door)

A public lecture by Dr Susanne Meurer, School of Design (History of Art), UWA.

Rembrandt features amongst a select group of artists whose work proved influential across various media. He was never “just” a great painter, but also a prolific and innovative printmaker. Over four decades, he produced almost 300 etchings, many of which pushed the technical and expressive boundaries of printmaking. Above all, this lecture will argue, Rembrandt lent a new level of intimacy to the medium. By treating the printing plate like a sketch book, Rembrandt granted unparalleled insights into his working processes. The resulting prints defied their status as multiples and left a lasting impression not only on collectors, but also on generations of artists.

Rembrandt – 350th Anniversary Lecture Series

Rembrandt’s death took place 350 years ago this year, in 1669. Museums across the globe, from Amsterdam to the Arabian Gulf, are staging exhibitions to commemorate his artistic legacy, and a life that was far from a masterpiece. Sometimes dismissed contemptuously in his own time, the supreme genius of Rembrandt is now universally acknowledged. The Institute of Advanced Studies at The University of Western Australia is pleased to present a series of lectures offering insights into the artist’s life, his work and its reception.

In collaboration with WASO, we are delighted to welcome passionate music educationalist Paul Rissmann to present the 2019 Callaway Lecture, one of the most prestigious events in the calendar of the Conservatorium of Music.

‘The Jamie Oliver of animateurs’ Neue Muzikzeitung

‘Rissmann is without parallel. He has a line of communication that exactly matches, then advances the listening skills of his audience’ The Herald

Challenging Classical Conventions: exploring new opportunities to engage with the orchestra in the 21st century

The orchestra is changing. For centuries, its role and reach were more or less static. Today, thanks to the development of creative and inclusive educational programmes, the orchestra and its musicians are more assessable and more relevant to society than ever before. This talk will explore how composer and educationalist Paul Rissmann’s work has helped expand the range of activities the modern symphony orchestra has to offer, both on and off the concert platform.

Free entry - bookings essential RSVP to [email protected]

Lecture: 7pm

Refreshments served from 6.30pm

The merchant vessel Edwin Fox was exceptional for being unexceptional. It was old fashioned even before its keel was laid down in Thomas Reeves’s shipyards near Calcutta in 1853. It was neither large nor fast, and had none of the prestige of the great tea and opium clippers that captured the public imagination in the mid-nineteenth century. The Edwin Fox was a small, ugly slowpoke in the heyday of the age of sail and a lonesome survivor in the age of steam, and from a mariner’s perspective it sat at the bottom of the hierarchy of opportunities. Yet the life and career of this undistinguished ship coincide with a pivotal era in globalization: the years between 1860 and 1890 that Jurgen Osterhammel calls the “inner focal point” of the 19th century. And the Edwin Fox participated in many of the developments that made these years so crucial: the rapid expansion and intensification of trade around the globe; the spread of industrialization to many regions; the great thrust of Western imperialism; the unprecedentedly large migrations of people, both free and forced; the large-scale and systematic dispossession of indigenous peoples and their replacement with settler populations; the integration of settler colonies into imperial markets; and environmental change on a massive scale. Beginning with the November 20, 1858 arrival of the vessel at Fremantle, Western Australia carrying 82 passengers and 280 convicts, this talk will combine archival research and Arc GIS mapping to reconstruct the many worlds of the Edwin Fox. Emphasizing stories of integration, interactions, and entanglements, this paper describes the ways in which the unique perspective of this single ship can provide to a more intimate understanding of the human agencies and the human costs involved in the most important period of globalization to occur prior to the one we have been experiencing since the 1990s.

Do you remember the sound of dial-up internet? What about the whistle of an old kettle or a wine cork popping? Sounds, noise and music are fundamental to our lives.

Join us to explore our sonic past and present and learn how our lives are shaped by sound and listening. Presented in collaboration with the City of Perth Library.

Sound in the form of language and music make us human. But what is the archaeological evidence for sound? In this talk we will take a global look at sound, music, language, art and human evolution, before focusing on the San or 'Bushman' of southern Africa.

Sven Ouzman is an archaeologist, lecturer and activist at UWA’s School of Social Sciences. Dr Ouzman researches the forgotten worlds beneath and all around us, and is currently exploring areas such as Indigenous rock art in the North Kimberley and the South African colonial circuits of knowledge and heritage. He is a member of the Centre for Rock Art Research and Management at the University of Western Australia.

Free entry - bookings essential

The passion for music and the exceptional ability of young emerging artists creates an extraordinary experience for concertgoers. In 2019, some of Australia’s finest young musicians will take to the stage in four outstanding orchestral and choral concerts, taking you on a musical journey from the 1700s to the present day.

Offering a glimpse of the Baroque era, Elena Kats-Chernin’s expansive and opulent Prelude and Cube is reimagined in this concert where old and new walk side by side. Program

BACH Fantasia and Fugue in C minor (arr. Hunsberger)

ELENA KATS-CHERNIN Prelude and Cube (arr. De Cinque)

ELENA KATS-CHERNIN Dance of the Paper Umbrellas

HAYDN Missa in Angustiis (Nelson Mass)

Tickets from $18

trybooking.com/BASWJ

The vision of the UWA Conservatorium of Music is to enrich all lives with music. Through UWA’s broadening units, all undergraduate students have the opportunity to engage in practical music-making as part of their degree.

Enrich! brings together these students in vibrant and dynamic ensemble performances.

Come and hear the wealth of musical talent on campus.

Join our massed ukulele ensemble as they perform classic songs you know and love! The Broadening Showcase will also feature our handbell ensembles and the UWA Broadening Flute Choir in a fun concert that is sure to delight!

Tickets: $5 (available at the door)

Be transported from the everyday by our free lunchtime concert series, featuring the best musical talent from within the UWA Conservatorium of Music and around the country.

Ennio Morricone, (b.1928) is an Italian composer, who is most well-known for his film work, and in particular the genre known as ‘spaghetti western’. Working with director Sergio Leone, he scored The Good the Bad and the Ugly, A Fistful of Dollars and For a Few Dollars More. He also wrote the music for Once Upon a time in America The Mission and The Hateful Eight.

The music from the spaghetti western period (the 1960s) demonstrates Morricone’s quirky orchestrations. Budget restrictions meant limited access to a full orchestra. Morricone turned to unconventional instruments (jew’s harp, whistling, electric guitar and cracking whips) to create strange sonic landscapes.

The Morricone Project gives our composition students the opportunity to re-imagine these works for a new ensemble and to collaborate with the musicians in the ensemble. The re-imaginations can included setting Morricone’s music against their own, changing the instrumentation, and/or focusing on one particular motive and exploring its possibilities.

The composers are:

Victor Arul – For a Few Dollars More

Oliver Broun – The Mission

Remal Festini – The Good, The Bad and The Ugly

Lydia Gardiner – The Man with the Harmonica

Free entry, no bookings required.

Twelve years of collaboration between three Yimardoowarra Marninil, Nyikina sisters from the Lower Fitzroy River, and French-Australian filmmaker and PhD Scholar, Magali McDuffie, have revealed the Nyikina women’s determination to speak and re-affirm their Nyikina worldview into existence. Their voices, and those of other Kimberley Aboriginal people, demonstrate the strength and continuity of the women’s discourse, despite ever-changing government policies and strategies.

In her PhD thesis, Magali deconstructs the historical and historiographical discourses, anthropological data, legislative policies, development theory, as well as international Indigenous and non-Indigenous literature on agency and development as they relate to the Kimberley region of Western Australia. She investigates the impacts of the colonial state’s development project from colonisation onwards, and describe the Nyikina sisters’ complex interactions with the dominant discourse, bringing to the fore the Nyikina worldview. In privileging Nyikina voices, through film, her study reveals the often hidden flaws of an exclusively market-oriented capitalist economy.

Nyikina women’s voices have become a significant part of a global Indigenous discourse on development alternatives. Their continued agency on the local, national, and international stage, demonstrates the significance of booroo , Country, as a decolonising ground in the context of global development.

In her presentation, Magali will retrace the journey of her PhD thesis, using both film and chapter excerpts to illustrate her findings.

The theme is “Growing up African in Australia” and will feature an interactive panel discussion and Q&A followed by refreshments and networking. The event also serves as the WA launch of the recently published book by Black Inc. Books Growing up African in Australia. Copies will be available to buy on the night. The event is held in partnership with Black Inc. Books, the UWA African Students Union and the Organisation of African Communities in WA (OAC). We would also like to highlight OAC’s Africa Day 2019 Gala Dinner on 25 May. We hope to see you at both events!

The vision of the UWA Conservatorium of Music is to enrich all lives with music. Through UWA’s broadening units, all undergraduate students have the opportunity to engage in practical music-making as part of their degree.

Enrich! brings together these students in vibrant and dynamic ensemble performances.

Come and hear the wealth of musical talent on campus.

Under the direction of Tim How, the Show Choir, will be perform songs from Broadway hit Wicked. Whilst the UWA Jazz Ensemble and Advanced Jazz Group, led by Jess Herbert will perform staples of the Jazz repertoire. This fantastic concert is not to be missed!

Tickets: $5 (available at the door)

Artists in residence Intercurrent present contemporary chamber music for piano, percussion, bass clarinet and electronics including Thomas Meadowcroft's Walkman Antiquarian, John Cage's Credo in US, a new work by Perth composer Olivia Davies and more.

Walkman Antiquarian challenges our concept of obsolescence, exploring creative possibilities in the intersection of new and old. Thomas Meadowcroft’s centrepiece work (of the same name) employs much-loved but increasingly historical technologies of sound playback the turntable and the walkman, while John Cage’s Credo in US prominently features the humble transistor radio. Against these are set a modern-day interpretation of 12th Century polyphonist Perotin’s Beata Viscera by Lachlan Skipworth, and a brand new work by West Australian composer Olivia Davies. Intercurrent’s renowned and fiery virtuosity promise a unique and stimulating musical adventure.

Tickets from $10

trybooking.com/BAVKM

The Reverend John Smithies arrived in the Swan River Colony in July 1840, and immediately established a residential mission to Noongar children in the centre of Perth. In 1845 the mission moved to Wanneroo, then in 1851 moved again, to York. By 1854 the mission at York housed only two children, and in 1855 was closed by the government, having ‘failed’. Many other church, government, and private institutions were also operating during the period of Smithies’ missions, and a number of Noongar children were moved between these institutions, both around the South West and across the country. Very little is currently known about the identities and life experiences of the Noongar people who were institutionalised in Smithies’ missions, the circumstances that led them there, or their lives after institutionalisation. This research seeks to discover what stories can be told about Noongar people who were associated with Smithies’ missions from the results of historical and archaeological investigation. As well as extensive historical and ethno-historical archival research into the written record relating to these missions, this project aims to survey and excavate at the two former Smithies mission sites still accessible to archaeological investigation; Wanneroo and York. It is hoped this research will contribute to a better understanding of these early missions, and the lives of the people associated with them.

A public lecture by Alex Edney-Browne, International Relations, University of Melbourne.

Imagine living under the eerie "bnng" of an armed drone circling overhead. Imagine if that was the sound you heard immediately before the explosion that killed your brother or blasted off your leg. Imagine knowing that people 7000 miles away could see into your homes and watch your family from above. Fear, disappointment, anger and hopelessness are just some of the emotions that Afghan civilians living under drones experience. With military drones fast-proliferating across the world, governments and militaries continue to claim that drones cause minimal harm to civilians and are an effective weapon against terrorism. There are, however, significant effects on civilians' physical and psychological health, ability to socialise and move freely and their cultural customs. Drone warfare’s effectiveness as a counter-terrorism strategy is dubious at best. In this talk, Alex Edney-Browne discusses her findings on the wide-ranging effects of drone warfare from qualitative research in Afghanistan, refugee squats in Greece, and the United States.