What's On at UWA

UWA opens up the whole campus to the public.

Come and find out about the courses on offer, career options, scholarship opportunities, our valuable research, community programs and facilities.

There's also residential college tours, hands-on activities, live music and entertainment, and plenty of fun activities for the whole family.

For Blue Stockings Week this year (13-17 August), the Berndt Museum is presenting a panel discussion on the important role of women within the UWA Cultural Precinct. Blue Stockings Week is a commemoration of the Blue Stockings Society, an 18th century club for 'clever ladies and their gentlemen friends'. The club encouraged women to discuss intellectual topics over a cup of tea, thereby bucking the trend of succumbing to the frivolous topics and endeavours expected of women during that time. The name emerged from the habit of dressing down during the club's meetings, whereby the women wore blue woolen legwear, as opposed to the silk stockings traditional to evening meetings.

The panel will consist of Emeritus Professor Margaret Seares AO, Professor Sandy Toussaint and Curator Lee Kinsella.

A public lecture and performance by Julianne Baird, Distinguished Professor, Rutgers University and Internationally Acclaimed Early Music Scholar-Performer.

What can we learn from Shakespeare’s use of music and from musical references in his plays? In this lecture-performance, renowned soprano Julianne Baird will discuss and perform music from Elizabethan and Jacobean times conceived for performance in the plays of the great Bard. William Shakespeare alludes to or includes the texts of well over 160 songs in his plays.

Music in Shakespeare’s time ran the gamut of lute songs by the famous contrapuntalist, John Dowland, madrigals and fa la’s (ballets) by Morely and, of course, the great polyphonies and verse anthems by William Byrd. But extant Elizabethan and Jacobean theatre music is much more simple and vivid, often almost ballad-like in style and the playwright seems to have had a genuine fondness for honest English popular and traditional songs. The poignancy of having Desdemona sing the Willow Song in her fatal hour shows his full commitment to music’s emotional power.

The audience of Shakespeare’s time would have expected each drama to have included at least one song per play, (with the exception of tragedies which usually contained only the heraldic and militaristic sounds of trumpets and drums.)

Not only are the musical references far more numerous, but Shakespeare defied this orthodoxy and wrote poetry for the tragedies which movingly uses musical reference as dramatic device.

Among the Elizabethan pieces performed at the lecture-recital will be “The Willow Song”, “Farewell Dear Heart” “O Mistriss Mine”, and “Ah Robyn, Gentil Robyn.” A number of pieces written for the Jacobean revivals of Shakespeare’s plays composers John Wilson and Robert Johnson will also be discussed and performed.

Cost: free, however RSVP is essential to [email protected] or 6488 1340.

Unfortunately this event has been cancelled.



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This week's introit is a preview of the "Earthquake" Mass by Antoine Brumel, a full performance of which will take place on September 13th at St George's, and again alongside Louis Vierne's Symphony No 6 for organ, September 23rd at St Patrick’s Basilica Fremantle.

Introit: Brumel Agnus Dei (from Et ecce terrae motus)

Responses: Rose

Canticles: Pinel Magnificat

Gregorian Chant Nunc Dimittis for Candlemas

Anthem: J. S. Bach Jesu, joy of man’s desiring

Hymn: Praise to the Holiest in the Height

For the past 30 years, Geoffrey Lancaster has been at the forefront of the historically informed performance practice movement. Associate Professor Lancaster has appeared as conductor or soloist with all the Symphony Australia orchestras and the Australian Chamber Orchestra.

Unfortunately this event has been cancelled.

Lecture not longer taking place

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Dr Penelope Woods, ARC Centre of Excellence for History of Emotions, The University of Western Australia. Musical Emotions on the Shakespearean Stage.

A public lecture by David Konstan, Professor of Classics, New York University and visiting UWA Institute of Advanced Studies Professor-at-Large.

There is a deep problem with beauty. Beauty is commonly equated with sexual attractiveness. Yet there is also the beauty of art, which arouses an aesthetic response of disinterested contemplation.

As Roger Scruton writes in his recent book, Beauty (2009): “In the realm of art beauty is an object of contemplation, not desire.”

Are there, then, two kinds of beauty? By looking back the classical Greek conception of beauty, we may see how it gave rise to the modern dilemma, and some possible ways of resolving it.

This lecture is presented by the Institute of Advanced Studies at UWA and the ARC Centre of Excellence for the History of Emotions.

This event is sold out.

This week's introit is a preview of the "Earthquake" Mass by Antoine Brumel, a full performance of which will take place on September 13th at St George's, and again alongside Louis Vierne's Symphony No 6 for organ on September 23rd at St Patrick’s Basilica Fremantle.

Introit: Brumel Benedictus (from Et ecce terrae motus)

Responses: Rose

Canticles: Purcell in g minor

Anthem: Pearsall Tu es Petrus

'The mis-use of religion in the justification of political violence: a comparative analysis'

This year's St Thomas More College Chair of Jesuit Studies is Professor Oliver Rafferty SJ, Lecturer in Irish and Ecclesiastical History at Heythrop College, University of London. A Past President of the Irish Historical Society, Professor Rafferty will address the subject of religion as a justification for political violence, from the Crusades down to the present day.

This public lecture is presented in association with the Institute of Advanced Studies, UWA.

With a thriving community of composers and celebrated staff mentoring their progress, aural portraits by some of the finest young composers in Western Australia are revealed amongst two inimitable treasures of the orchestral repertoire.

Ravel Bolero Emerging Composers Bartok Concerto for Orchestra

2 Illustrated Lectures: Baths and Bathing in the Roman World by Dr. Sandra Ottley; 2012 field trip to Jarash, Jordan by Don Boyer. 1:30pm, Saturday 25 August, Social Sciences Lecture Theatre, University of Western Australia. Programme: 1:30pm - Baths and Bathing in the Roman World; 2:30pm - tea break ($7 for RAG Members $10 for non-members); 3:00pm - Annual General Meeting; 3:30pm - 2012 field trip to Jarash, Jordan. Please let us know of your interest by emailing Norah Cooper [email protected]. For more information on the RAG visit http://www.humanities.uwa.edu.au/research/cah/roman-archaeology

Percussion Purity! Masterworks from the percussion and piano repertoire come together in this extraordinary performance featuring some of West Australia's finest musicians; Paul Tanner, Louise Devenish, Graeme Gilling and Emily Green-Armytage. Works include Luciano Berio's Linea, and George Crumb's Music for a Summer Evening (Makrokosmoas lll)

Responses: Tomkins

Lord’s Prayer: Stone

Canticles: Tallis Short Service

Anthem: Eslava Jesu dulcis memoria

The Winthrop Singers welcome spring from the top of Winthrop Tower at sunrise.

Includes performance with didjeridu.

Free event.

Tom Burlinson is returning to Western Australia with his latest show Now We’re Swingin’! This time he’s bringing his 8-piece band to present a montage of swing classics by Tony Bennett, Sammy Davis Jr, Nat King Cole, Dean Martin, Bobby Darin and Frank Sinatra.

Songs include I’ve Got the World on a String, The Way You Look Tonight, I’ve Gotta Be Me, Summer Wind, For Once in my Life, the ever popular I’ve Got You Under My Skin and many, many more.

He will also pay due reverence to the current masters of swing - Harry Connick Jnr and Michael Bublé.

Special offer for UWA Staff! A reserve tickets at B reserve prices - simply quote the code word "Tom" when booking.

Book now through BOCS Ticketing - 9484 1133 or www.bocsticketing.com.au

Percussion Purity! presents the first ever Marimba Orchestra assembled in Perth. WA’s most outstanding percussionists will perform a program of premieres by Nigel Westlake, Christopher Deane and Emmanuel Sejourne, followed by a massed Marimba Orchestra of 40 players. An exciting and unique event not to be missed!

Tickets available from BOCS: http://www.bocsticketing.com.au / 08 9484 1133

“There’s just a handful of living composers who can legitimately claim to have altered the direction of musical history, and Steve Reich is one of them.” Andrew Clements, The Guardian.

Loved by audiences the world over, Reich’s mesmeric compositions embrace aspects of Western Classical music, traditional African rhythms and American jazz to create a unique minimalist sound world. Fresh from time working with Reich in the US, Louise Devenish returns to Perth to direct a collection of his works for keyboard percussion instruments.

Tickets available from BOCS: www.bocsticketing.com.au / 08 9484 1133