What's On at UWA

This talk will present the theories and curatorial decisions behind a recent exhibition by Donna Franklin as a part of her PhD research at Edith Cowan University. The exhibition included works of local, national, and international interdisciplinary artists. The artworks selected for the exhibition will be discussed in relation to Franklin’s interest in the communicative role the arts plays: In particular as a site of interrogation into aspects of “systemic colonisation” and the “life world” concerning future cultural engagement with non-human life (Habermas, 1970). Creatures of the Future Garden as an exhibition aimed to engender the development of gallery spaces that facilitate multiple uses: As a site of conservation, wilderness and education (Gessert). Franklin is seeking audience opinion regarding the exhibition and workshop presentations with the intention of generating further interest in animal welfare, the environment, science and arts, in as many diverse contexts as possible. This puts into practice Franklin’s passion for generating real-time experiences with non-human life, and hands-on education, as strategies to explore the natural world and examine biotech futures. Exhibiting Artists: Dr Trish Adams, Tarsh Bates, Donna Franklin, George Gessert, Alexandra Daisy Ginsberg, Kirsten Hudson, Svenja Kratz, Angela Singer, The Made Generation: Gary & Susie Cass, Jesse Brown, Nicholas Lozanovski, Sasha Whittle.

Franklin is currently a PhD candidate (Philosophy) and academic in Cultural History and Theory at The School of Communication and Contemporary Arts, Edith Cowan University. Her various research projects investigate the role art/science collaboration has in generating public awareness and debate raised by developing biotechnologies or investigates ecology environment. She has a particular interest in creating artworks that explore an engagement with the non-human, such as fungi, plants and animals. During her Master of Arts, she was awarded an artist residency at SymbioticA: Centre for Excellence in Biological Arts, UWA. She has collaborated with scientists and artists to produce artworks and conduct art/science workshops for festivals, galleries and schools. Selected exhibitions include: Animals People: A shared environment POP Gallery Brisbane 2011, Signs of Change Form Gallery 2010, SuperHuman RMIT Melbourne 2009, Biotech revisited EAF 2008, Skin to Skin FAC08. Techno Threads Science Gallery Dublin 2008, ARS Electronica Festival 07, Mycologia Mundaring Arts Centre 2007, Second Skin ENTRY06 Vitra Design Museum Germany and Taiwan 2007, BEAPworks06 Australia, Hatched 05 PICA, BEAP04.

The Roman Archaeology Group of Perth presents two fully illustrated lectures on Roman Archaeology: Palmyra: an ancient oasis between East and West presented by Rebecca Banks; and The Roman Peloponnese presented by Kevin O'Toole. Saturday 21 July, 1:30pm at Social Sciences Lecture Theatre, UWA. Afternoon tea will be served between lectures: $7pp (RAG members) and $10pp (non-members). For more information on the RAG, please visit http://www.humanities.uwa.edu.au/research/cah/roman-archaeology

The Annual Lecture is the highlight of the year for the UWA Historical Society and Convocation and we are delighted to welcome Winthrop Professor Cheryl Praeger to the podium to reflect upon her years on Campus and subsequent experiences and achievements.

Mathematician Cheryl Praeger has served the University of Western Australia as Lecturer, Senior Lecturer, and Professor since 1976. She leads a flourishing research group in pure mathematics and is in the top one per cent of highly cited mathematicians in the world.

Attendance is free.

Nine German Arias - Hymns to Nature by George Frideric Handel

Sung by Sara Macliver, Soprano

Accompanied by Paul Wright, violin; Noeleen Wright, cello; Andrew Tait, violone; Stewart Smith, harpsichord and chamber organ. Wednesday 25 July 7.30pm Government House Ballroom Tickets: $60/$50 conc/$20 student To Book: UWA extension / 08 6488 2433 / http://tiny.cc/NineGermanArias

Artemis Kitsios is currently a Masters candidate with SymbioticA, School of Anatomy, Physiology and Human Biology, and the School of Environmental Systems Engineering UWA. She will speak about her interdisciplinary research project – Ecosystem complexities: an interdisciplinary study of stress, resilience and change. This project examines the complexities of aquatic ecology, with particular attention to resilience and the role of the human. The project aims to examine, simulate, and visualise ecosystem processes that are not easily translated into human scale perception/comprehension and hence establish greater understanding of the fragility and importance of aquatic ecologies

Artemis Kitsios studied environmental engineering at UWA (2001 - 2004), visual art at the Central Institute of Technology (2007 – 2010) and before beginning the Masters in Biological Arts, completed the Art and Life Manipulation course with SymbioticA (2009). She has worked in water resource management, ecology and conservation locally and internationally for the last 10 years and has exhibited artworks in Perth, Melbourne and Barcelona.

The Winthrop Singers return to a refurbished St George's College Chapel for the first Evensong service of Semester 2.

Featured music is by composers from UWA

Introit: Tunley Jesu Dulcis Memoria Canticles: Caitlin Woods Anthem: Joyce Ubi Caritas

American soprano Julianne Baird returns to The University of Western Australia as IAS Professor-at-Large to perform in this special event. Baird is renowned as an early music specialist and possesses a magnificent voice. She will be joined in recital by Paul Wright (violin) and other outstanding performers in an evening of chamber bliss.

Artist Talk with Vivienne Glance Playwright and actor Vivienne Glance has been fascinated by science for many years, but incorporating science into creative works presents particular challenges. Her main interest is how science is depicted in performance which has been the topic of her recently completed PhD research. Vivienne will talk about the dramaturgy behind science plays, why she thinks it is important that artists tackle science and technology in their work, why audiences seem to love it or hate it, and the delights and challenges scientific themes present to playwrights. Her latest play The Cat in the Box is an absurd comedy with a dose of quantum mechanics. The play premieres at the Blue Room Theatre on 2nd August. For more details please visit www.blueroom.org.au. Hosted by John Aitken. Presented by Stages WA in association with the AWG.

Cost: Free – all welcome

This week's service will feature West Australian music - Jerusalem by choir conductor Dr Nicholas Bannan, Nunc Dimittis by UWA student Francis Cardell-Oliver, and music by Dom Stephen Moreno of New Norcia.

Introit: Bannan - Jerusalem Responses: Rose Moreno - Te Deum Cardell-Oliver Nunc Dimittis Anthem: Moreno - Agnus Dei

"The Irish Catholic Community and the State in the 19th Century: Setting the Scene"

Professor Oliver Rafferty SJ, the 2012 St Thomas More College Chair of Jesuit Studies, will present the first in a series of six lectures on nineteenth century Irish history.

The Chair of Jesuit Studies is jointly recognised by the the University of Western Australia and the University of Notre Dame Australia, and aims to bring a leading academic from the worldwide Jesuit community to Perth each year.

Professor Rafferty is visiting from Heythrop College, University of London, where he specialises in Irish and Ecclesiastical history. He will present the remaining five seminars in the same locations, and at the same time, on Fridays 17th and 24th August, and Fridays 7th, 14th, and 21st September.

UWA opens up the whole campus to the public.

Come and find out about the courses on offer, career options, scholarship opportunities, our valuable research, community programs and facilities.

There's also residential college tours, hands-on activities, live music and entertainment, and plenty of fun activities for the whole family.

For Blue Stockings Week this year (13-17 August), the Berndt Museum is presenting a panel discussion on the important role of women within the UWA Cultural Precinct. Blue Stockings Week is a commemoration of the Blue Stockings Society, an 18th century club for 'clever ladies and their gentlemen friends'. The club encouraged women to discuss intellectual topics over a cup of tea, thereby bucking the trend of succumbing to the frivolous topics and endeavours expected of women during that time. The name emerged from the habit of dressing down during the club's meetings, whereby the women wore blue woolen legwear, as opposed to the silk stockings traditional to evening meetings.

The panel will consist of Emeritus Professor Margaret Seares AO, Professor Sandy Toussaint and Curator Lee Kinsella.

A public lecture and performance by Julianne Baird, Distinguished Professor, Rutgers University and Internationally Acclaimed Early Music Scholar-Performer.

What can we learn from Shakespeare’s use of music and from musical references in his plays? In this lecture-performance, renowned soprano Julianne Baird will discuss and perform music from Elizabethan and Jacobean times conceived for performance in the plays of the great Bard. William Shakespeare alludes to or includes the texts of well over 160 songs in his plays.

Music in Shakespeare’s time ran the gamut of lute songs by the famous contrapuntalist, John Dowland, madrigals and fa la’s (ballets) by Morely and, of course, the great polyphonies and verse anthems by William Byrd. But extant Elizabethan and Jacobean theatre music is much more simple and vivid, often almost ballad-like in style and the playwright seems to have had a genuine fondness for honest English popular and traditional songs. The poignancy of having Desdemona sing the Willow Song in her fatal hour shows his full commitment to music’s emotional power.

The audience of Shakespeare’s time would have expected each drama to have included at least one song per play, (with the exception of tragedies which usually contained only the heraldic and militaristic sounds of trumpets and drums.)

Not only are the musical references far more numerous, but Shakespeare defied this orthodoxy and wrote poetry for the tragedies which movingly uses musical reference as dramatic device.

Among the Elizabethan pieces performed at the lecture-recital will be “The Willow Song”, “Farewell Dear Heart” “O Mistriss Mine”, and “Ah Robyn, Gentil Robyn.” A number of pieces written for the Jacobean revivals of Shakespeare’s plays composers John Wilson and Robert Johnson will also be discussed and performed.

Cost: free, however RSVP is essential to [email protected] or 6488 1340.

Unfortunately this event has been cancelled.



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This week's introit is a preview of the "Earthquake" Mass by Antoine Brumel, a full performance of which will take place on September 13th at St George's, and again alongside Louis Vierne's Symphony No 6 for organ, September 23rd at St Patrick’s Basilica Fremantle.

Introit: Brumel Agnus Dei (from Et ecce terrae motus)

Responses: Rose

Canticles: Pinel Magnificat

Gregorian Chant Nunc Dimittis for Candlemas

Anthem: J. S. Bach Jesu, joy of man’s desiring

Hymn: Praise to the Holiest in the Height

For the past 30 years, Geoffrey Lancaster has been at the forefront of the historically informed performance practice movement. Associate Professor Lancaster has appeared as conductor or soloist with all the Symphony Australia orchestras and the Australian Chamber Orchestra.

Unfortunately this event has been cancelled.

Lecture not longer taking place

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Dr Penelope Woods, ARC Centre of Excellence for History of Emotions, The University of Western Australia. Musical Emotions on the Shakespearean Stage.

A public lecture by David Konstan, Professor of Classics, New York University and visiting UWA Institute of Advanced Studies Professor-at-Large.

There is a deep problem with beauty. Beauty is commonly equated with sexual attractiveness. Yet there is also the beauty of art, which arouses an aesthetic response of disinterested contemplation.

As Roger Scruton writes in his recent book, Beauty (2009): “In the realm of art beauty is an object of contemplation, not desire.”

Are there, then, two kinds of beauty? By looking back the classical Greek conception of beauty, we may see how it gave rise to the modern dilemma, and some possible ways of resolving it.

This lecture is presented by the Institute of Advanced Studies at UWA and the ARC Centre of Excellence for the History of Emotions.

This event is sold out.