What's On at UWA

Callaway Series is unreserved and ticketed at the door. All tickets are $10.00. Doors open 15 minutes prior to the event.

Due to unforeseen circumstances, the Keyed Up! performance by Bernadette Harvey has had to be cancelled.

Please contact music.uwa.edu.au for further information.

With a passionate interest in both solo keyboard music and chamber works, Alex’s performance experience includes tours of California, Taiwan, Germany and a vast amount of concerto, solo, and chamber music engagements in Australia including several broadcasts on ABC Classic FM, 2MBS Fine Music FM (...)

This event has been cancelled. Tess Tsokos: Gesture and response in the primary children's choir

Callaway Series is unreserved and ticketed at the door. All tickets are $10.00. Doors open 15 minutes prior to the event.

Free 50min Concert every Thursday during Semester at 1:10pm

Written in 1742, Handel's Messiah was almost banned by Jonathan Swift, Dean of the Cathedral in Dublin, the city in which it received its first performance. But the piece more than survived the challenge, going on in its composer's own lifetime to be seen as his greatest work. In a year of (...)

Experience the sights and sounds of Africa through the lens of world-renowned ethnomusicologist John Blacking.

Music Dance Landscape Image uses the John Blacking Collection housed at The University of Western Australia’s Callaway Centre to provide snapshots of performances that (...)

Master of Music (Research) student Marco Lombardi presents his Master's Piano recital. The program includes:

Chopin, Frederic - Preludes Op 28 Mozart, W.A. - Rondo in A minor K511 Busoni, Ferruccio - Sonatina Seconda Castiglioni, Niccolo - Sonatina

Entry is free - all welcome! (...)

Directed by Louise Devenish, Piñata Percussion places a special emphasis on programming works by Australian composers, including established, emerging and student composers.

$10 at the door - unreserved seating

Archaeomusicology: some thoughts on the origins of music

This seminar will be dominantly grounded in the archaeology of Africa. Early music is archaeologically elusive. The first plausible musical implements only appear in the archaeological record after modern humans reached Europe, but (...)

Be transported from the everyday every Thursday in our free lunchtime concert series.

FREE 50min Concert every Thursday during Semester at 1:10pm. No booking required, just turn up!

Patricia Alessi

Dost thou know thy tongue’s true tune?: Discovering the early opera ‘mezzo-soprano’ voice for today’s interpreters

Be transported from the everyday every Thursday in our free lunchtime concert series.

FREE 50min Concert every Thursday during Semester at 1:10pm. No booking required, just turn up!

Jon Prince

How melodic contour, rhythm, tonality, and metre affect musical similarity and expectancy

Be transported from the everyday every Thursday in our free lunchtime concert series.

FREE 50min Concert every Thursday during Semester at 1:10pm. No booking required, just turn up!

Jane Ginsborg

Practice-led research in music-making: What it can tell us about learning

Be transported from the everyday every Thursday in our free lunchtime concert series.

FREE 50min Concert every Thursday during Semester at 1:10pm. No booking required, just turn up!

Krista Low (MMus Candidate): Cello Performance Practice and the Decline of Romanticism in the Early Twentieth Century

Assistant Professor Ashley Smith: Practising Ferneyhough

Honorary Research Fellow Iain Grandage presents a seminar entitled 'Music in Drama, Drama in Music - A talk in the midst of writing an opera'